2014-12-24 14:47:14
朱哲琴全球首推双面绣当代设计 “看见·戏石屏风”引趣谈
Dadawa First Launched Contemporary Design of Double-sided Embroidery “KANJIAN•Tease Stone Screen” Story Spread among People
几位苏坊绣娘一个月的针指，令齐白石墨下的两只螃蟹重获新生，在一组当代丝屏风设计作品中，与数码丝印的巨石传神戏动。白石老人一定未曾想到，近一个世纪之后，自己的画作以这种形式出现在公众面前。
这款绝妙的屏风设计由来起始于一席江南蟹宴：2013年盛夏，音乐家、联合国亲善大使朱哲琴在“看见造物——中国创造寻访之旅”的旅途中，邀请旅居希腊的著名建筑师、雕塑家、设计师卢志荣（Chi Wing Lo）先生一同前往江南，寻访当地传统手工艺的能工巧匠，为屏风设计做调研。
卢志荣先生惊叹于苏州双面绣、制绡、丝印等工艺的精湛，在苏绣工坊，被绣娘们为实现仅一小块刺绣所付出的时间和耐心所触动。返程之际，朱哲琴以江南蟹宴款待，设计师的灵感被螃蟹触发，席间便生发出将齐白石墨下的螃蟹作为屏风的主角的巧思，并取名“看见·戏石屏风”。
“ 看见·戏石屏风”首度将中国传统的制绡工艺与双面异色异样绣技法带入当代设计领域，并巧妙结合现代丝印技术，通过铜与木材质结合的精密机械架构来承载，利用重力学原理设计于屏风载体之上，将传统与当代、工艺、内涵与实用完美融合。
刺绣在中国历史悠久，苏绣的双面绣也叫“两面绣”，始于宋，是刺绣艺术中的翘楚，在同一块底料上，在同一绣制过程中，绣出正反两面图像，图案各异，双面绣在近现代已经发展出“双面异色异样绣技法”。
“看见·戏石屏风”上的螃蟹，就是在“双面异色异样绣”技法的呈现下重获新生，卢志荣在水墨画原作的基础上进行了再创作——创作出原有螃蟹的另外一面，并由技艺精湛的绣娘实现。屏风表面以绡制成，螃蟹留白处则成了两只螃蟹的玩耍之地，与另一圆上的数码丝印巨石互动，开合动静间，形成了古今手法奇妙的比对。
“看见·戏石屏风”在中国当代新造物运动正在兴起的今天，业已作为中国民族手工艺与当代设计的重要代表之作，在2014米兰三年展中获得国际赞誉，其开创性的思路已为业界效仿参考，其中的故事也成了民间传扬、津津乐道的趣谈。
这款绝妙的屏风设计由来起始于一席江南蟹宴：2013年盛夏，音乐家、联合国亲善大使朱哲琴在“看见造物——中国创造寻访之旅”的旅途中，邀请旅居希腊的著名建筑师、雕塑家、设计师卢志荣（Chi Wing Lo）先生一同前往江南，寻访当地传统手工艺的能工巧匠，为屏风设计做调研。
卢志荣先生惊叹于苏州双面绣、制绡、丝印等工艺的精湛，在苏绣工坊，被绣娘们为实现仅一小块刺绣所付出的时间和耐心所触动。返程之际，朱哲琴以江南蟹宴款待，设计师的灵感被螃蟹触发，席间便生发出将齐白石墨下的螃蟹作为屏风的主角的巧思，并取名“看见·戏石屏风”。
“ 看见·戏石屏风”首度将中国传统的制绡工艺与双面异色异样绣技法带入当代设计领域，并巧妙结合现代丝印技术，通过铜与木材质结合的精密机械架构来承载，利用重力学原理设计于屏风载体之上，将传统与当代、工艺、内涵与实用完美融合。
刺绣在中国历史悠久，苏绣的双面绣也叫“两面绣”，始于宋，是刺绣艺术中的翘楚，在同一块底料上，在同一绣制过程中，绣出正反两面图像，图案各异，双面绣在近现代已经发展出“双面异色异样绣技法”。
“看见·戏石屏风”上的螃蟹，就是在“双面异色异样绣”技法的呈现下重获新生，卢志荣在水墨画原作的基础上进行了再创作——创作出原有螃蟹的另外一面，并由技艺精湛的绣娘实现。屏风表面以绡制成，螃蟹留白处则成了两只螃蟹的玩耍之地，与另一圆上的数码丝印巨石互动，开合动静间，形成了古今手法奇妙的比对。
“看见·戏石屏风”在中国当代新造物运动正在兴起的今天，业已作为中国民族手工艺与当代设计的重要代表之作，在2014米兰三年展中获得国际赞誉，其开创性的思路已为业界效仿参考，其中的故事也成了民间传扬、津津乐道的趣谈。
A month’s needlework by six lady embroiderers in Suzhou has brought Qi Baishi’s two ink crabs to life. In the set of contemporary screen design works, the traditional embroidery techniques are interwoven with modern digital printing. Qi Baishi could not have thought that his painting would be presented to the public in this form a century later.
This ingenious screen design originated from a Jiangnan crab feast. In the very summer of 2013, during the “KANJIAN – Design Tour of Created in China ”, Dadawa, musician and Goodwill Ambassador of the United Nations Development Programme (UNDP) China, invited renowned architect, sculptor and designer Mr. Chi Wing Lo to Jiangnan (regions south of the Yangtze River) together to visit skillful craftsmen with local traditional craftsmanship and do research on screen design.
Mr. Chi Wing Lo was amazed at the exquisite workmanship of the double-sided embroidery, silk making and silk printing in Suzhou. At the local embroidery workshops, he was touched by the time and patience lady embroiderers have invested to realize a small area of embroidery. At the time of leaving, Dadawa treated Mr. Chi Wing Lo to a Jiangnan crab feast. Inspired by the crabs, the designer decided to make Qi Baishi’s ink crabs the protagonist of a screen design and named it “KANJIAN•Tease Stone Screen”.
“KANJIAN•Tease Stone Screen” has brought the traditional Chinese silk making technique and the double-sided embroidery highlighting different colors and patterns to the modern design world for the first time. This technique ingeniously combines ancient techniques with modern silk printing. The screen is supported by an exquisite mechanical framework using the principle of gravity. This groundbreaking piece of artwork is a perfect combination of the traditional techniques and craftsmanship with contemporary design.
Embroidery has a long history in China. The double-sided embroidery of Suzhou embroidery, also known as “two-sided embroidery”, originated in the Song Dynasty and became an outstanding form of the embroidery art. On a piece of cloth and in one embroidering process, two patterns on both sides are formed at the same time. In the history of the double-sided embroidery, the “double-sided weaving technique with different colors and patterns” has been developed.
The crabs on “KANJIAN•Tease Stone Screen” are brought to life with this “double-sided weaving technique with different colors and patterns”. Mr. Chi Wing Lo recreated the original ink painting - created the other side of the original crabs and had skilled lady embroiderers complete the needlework. The screen surface is made of silk. The empty place in the screen is like the playground of the double-sided embroidered two crabs, which interacts with the digital silk printing stone on the other circle, forming a marvelous contrast between ancient and modern techniques.
As an important representative work of traditional Chinese crafts and contemporary design in today’s China with rising contemporary creation movement, “KANJIAN• Tease Stone Screen” has received international acclaim at Triennale di Milano 2014. Its creative thinking is now emulated and referenced by the industry, and its stories are spread among the people and are delightfully talked about.
This ingenious screen design originated from a Jiangnan crab feast. In the very summer of 2013, during the “KANJIAN – Design Tour of Created in China ”, Dadawa, musician and Goodwill Ambassador of the United Nations Development Programme (UNDP) China, invited renowned architect, sculptor and designer Mr. Chi Wing Lo to Jiangnan (regions south of the Yangtze River) together to visit skillful craftsmen with local traditional craftsmanship and do research on screen design.
Mr. Chi Wing Lo was amazed at the exquisite workmanship of the double-sided embroidery, silk making and silk printing in Suzhou. At the local embroidery workshops, he was touched by the time and patience lady embroiderers have invested to realize a small area of embroidery. At the time of leaving, Dadawa treated Mr. Chi Wing Lo to a Jiangnan crab feast. Inspired by the crabs, the designer decided to make Qi Baishi’s ink crabs the protagonist of a screen design and named it “KANJIAN•Tease Stone Screen”.
“KANJIAN•Tease Stone Screen” has brought the traditional Chinese silk making technique and the double-sided embroidery highlighting different colors and patterns to the modern design world for the first time. This technique ingeniously combines ancient techniques with modern silk printing. The screen is supported by an exquisite mechanical framework using the principle of gravity. This groundbreaking piece of artwork is a perfect combination of the traditional techniques and craftsmanship with contemporary design.
Embroidery has a long history in China. The double-sided embroidery of Suzhou embroidery, also known as “two-sided embroidery”, originated in the Song Dynasty and became an outstanding form of the embroidery art. On a piece of cloth and in one embroidering process, two patterns on both sides are formed at the same time. In the history of the double-sided embroidery, the “double-sided weaving technique with different colors and patterns” has been developed.
The crabs on “KANJIAN•Tease Stone Screen” are brought to life with this “double-sided weaving technique with different colors and patterns”. Mr. Chi Wing Lo recreated the original ink painting - created the other side of the original crabs and had skilled lady embroiderers complete the needlework. The screen surface is made of silk. The empty place in the screen is like the playground of the double-sided embroidered two crabs, which interacts with the digital silk printing stone on the other circle, forming a marvelous contrast between ancient and modern techniques.
As an important representative work of traditional Chinese crafts and contemporary design in today’s China with rising contemporary creation movement, “KANJIAN• Tease Stone Screen” has received international acclaim at Triennale di Milano 2014. Its creative thinking is now emulated and referenced by the industry, and its stories are spread among the people and are delightfully talked about.
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