【看见造物】2016年4月于苏富比香港春季展售之际，推出【看见造物】为中国传统工艺特别定制限量作品专区，展售涵盖漆器、金银、汉白玉、景泰蓝、陶瓷、木 6大材质。

【看见·青龙吉他】、【看见·金缮建盏】、【看见·脱胎漆盏】、【看见·三足漆炉】和【看见·荷陶漆盏】是【看见造物】为中国工艺特别定制的限量版组合作品，由当代漆艺大师、文物修复家钟声设计亲手制作。

【看见·漆电吉他】是【看见造物】与世界知名吉他品牌Fender联合打造的高级手工定制电吉他，也是世界第一把以中国漆艺打造的电子吉他：看见·青龙吉他（KANJIAN Azure Dragon Stratocaster ），首度实现了将精湛的中国漆艺植入西方当代电子乐器的创举。

 2016丙申猴年，【看见造物】与美国Fender公司联合打造高级手工定制电吉他——【看见·漆电吉他】一对两把，龙猴，青红“无敌”搭配组成，由美国Fender加州高定工房名琴师Dennis Galuszka手作，【看见造物】创始人兼艺术总监朱哲琴设计，中国漆艺大师钟声以数十道手工菠萝漆刷饰打磨而成。朱哲琴以中国“四象”之一“青龙”（The Azure Dragon Stratocaster ）和2016丙申流年“火猴”（The Fire MonkeyTelecaster）为吉他命名。

[KANJIAN·Lacquer Electric Guitar]—the AzureDragon·KANJIAN Creation Custom Fender Stratocaster 2016, which is the firstlacquer electric guitar around the world. The design has integrated theexquisite Chinese lacquer technique with Western contemporary electronic musicinstrument, which is a breakthrough creation that transcends music, design,electronics, as well as Oriental and Occidental handicrafts.

 In 2016 (The Year of The Monkey),[KANJIAN·CREATION] joins hands with Fender to create two handmade customelectric guitars—[KANJIAN·Lacquer Electric Guitar] with the paintings of AzureDragon and Fire Monkey. The guitars were madeby the famous guitar-maker fromCalifornia, Dennis Galuszka. Also, Dadawa, the founder and artistic director of[KANJIAN·CREATION], offered her opinions on creative design, and Zhong Sheng, aChinese lacquer master, made the final polish through dozens of procedures bymeans of pineapple lacquer. Dadawa named the two guitars after Chinese FourConstellations—The Azure Dragon Stratocaster and The Fire Monkey Telecaster.

【看见·荷陶漆盏】是【看见造物】为中国工艺特别定制的限量版作品，由当代漆艺大师、文物修复家钟声设计亲手制作。

【看见·荷陶漆盏】以宋代建窑建盏残片为原型， 运用古老的漆工造物传承，修补破损的古器，使用瓷、金属、用天然大漆拼接出古今轮回的再造物。变形、开裂让再造物的智慧与禅念平静于心。集中国民间审美情趣的宋瓷建盏残片，需经过三个月以上的修复，在与古人相对语的再创作中，漆与漆语者赋予其相适的当代设计理念，打破传统与现代的边界，兼具审美与实用特质，在沉寂之物间实现了难得的文化解构与重塑。

 [KANJIAN•Lotus Cup] is a limited edition speciallydesigned Chinese craft by Sheng Zhong, a contemporary lacquer master andcultural relics restorer.

[KANJIAN•Lotus Cup] is inspired by the fragmentary tilesof Jian Kiln that can be dated back to the Song Dynasty. It has employedancient lacquering techniques to repair broken vessels and create a new objectby integrating porcelain and metal with lacquering techniques. The deformationand cracking effects have embodied the wisdom and Chan spirit into the newobjects.

The fragmentary tiles of Jian Kiln represent the classical and aesthetictaste of ancient China. It takes more than three months to repair thefragmentary pieces. During the process of recreation, the designer hasincorporated contemporary design concepts in the lacquer work, which has brokenthe boundaries between tradition and modernity. Meanwhile, the design, havingboth aesthetic and practical qualities, has achieved the balance betweencultural deconstruction and remodeling. 

【看见·金缮建盏】【看见造物】2016特别订制限量版

【看见·金缮建盏】是【看见造物】为中国工艺特别定制的限量版作品，由漆艺大师、文物修复家钟声设计亲手制作。

【看见·金缮建盏】以天然大漆修缮宋代建盏残瓷，令残损的宋建盏在当代得以重生。以金为饰，借由古代中国造物工艺的思想与技术，让古物参与时空的演变，【看见·金缮建盏】是生漆陶瓷修复与中国金缮工艺结晶的当代上乘之作。

 [KANJIAN•Gold Lacquer Cup] is a limited edition Chinesecraft designed by  Sheng Zhong, acontemporary lacquer master and cultural relics restorer.

[KANJIAN•Gold Lacquering Cup] has employed natural lacquerto repair fragmentary tiles of Jian Kiln (Song Dynasty) to allow the cup to bereborn in the contemporary era. By means of golden decoration as well as thephilosophy and techniques of ancient Chinese craft, the ancient object isprovided with the opportunity to travel through time and space. [KANJIAN•Gold Lacquering Cup] is a contemporary premiumdesign that combines lacquer restoration skill with “Kintsugi” technique.

【看见·三足漆炉】【看见造物】2016特别订制限量版

【看见·三足漆炉】是【看见造物】为中国工艺特别定制的限量版作品，由漆艺大师、文物修复家钟声设计制作。

【看见·三足漆炉】采用生漆陶瓷修复工艺再创作的这件元代龙泉窑香炉器，历时数月、数十道工序创作完成，重现了百年青瓷的独特魅力。在瓷与漆的碰撞里，漆语者与古时匠人实现了穿越时空的对话，器之口、颈、腰、足均与绚丽流动的犀皮漆相应相和，仿若初衷如此。

【看见·三足漆炉】是中国古代陶瓷器修复的代表之作，融合了设计师从古纳新的美学理念。以菠萝漆修缮元代香炉残件，令残损的元代古物参与时空的变奏，在当代得以新生。

 [KANJIAN•Tripodal LacquerCaldron] is a limited editionspecially designed Chinese craft by Sheng Zhong, a contemporary lacquer master andcultural relics restorer.

[KANJIAN•Tripodal Lacquer Caldron] has adopted lacquerrestoration skill to recreate the incense burner from the Longquan Kiln (YuanDynasty). It takes several months and dozens of procedures to reproduce theunique charm of the ancient celadon. By means of the combination of porcelainand lacquer, the contemporary lacquerer can travel through time and space tocommunicate with ancient craftsmen. The porcelain echoes with the smoothinglacquer, indicating that they are meant for each other.

[KANJIAN•Tripodal Lacqueri Caldron] is  representative of repairing ancient Chineseporcelains. The designer has integrated the aesthetic concepts of ancientheritage during the repairing process. Also the designer adopts pineapplelacquer to repair the incense burner from the Yuan Dynasty so that it cantravel through time and space, and be reborn in the contemporary era.

【看见·脱胎漆盏】【看见造物】2016特别订制限量版

【看见·脱胎漆盏】是【看见造物】为中国工艺特别定制的限量版作品，由当代漆艺大师、文物修复家钟声设计亲手制作。

【看见·脱胎漆盏】运用古老的漆工造物传承，使用天然大漆拼接出古今轮回的再造物。脱胎工艺使造物的智慧与禅念平静于心。在与古人相对语的再创作中，漆与漆语者赋予其相适的当代设计理念，打破传统与现代的边界，兼具审美与实用特质，在沉寂之物间实现了难得的文化解构与重塑。 

[KANJIAN•Bodiless lacquer ware] is a limited editionspecially designed Chinese craft by Sheng Zhong, a contemporary lacquer master andcultural relics restorer.

During the process of recreation, the designer has incorporatedcontemporary design concepts in the lacquer work, which has broken theboundaries between tradition and modernity. Meanwhile, the design, having bothaesthetic and practical qualities, has achieved the balance between culturaldeconstruction and remodeling.